Graffiti and the Radicalization of Culture
When I first came to Athens for Thucydides, I was shocked but how covered the city was in paint. It seemed like every building we passed has fifty or more tags across it. Some were personal tags or football clubs, but an overwhelming amount were political. While I was no stranger to graffiti, having tagged a lot when I was younger, I had never seen such a heavy concentration of anger as I did in the heart of Athens. Because we were studying the classics, I was not very well read about Greek politics, but seeing these walls of rebellion pushed me to read more on what exactly caused the situation Greece was in to see if there was a direct correlation.
Surely enough, the reasons for graffiti and street art seem to be universal in every culture. It begins with some of distrust or anger with a system or an individual, or maybe just a personal desire to be heard, which is then motivated but circumstance. For many it is the suffocation of suburban life, but for the urban youth of Athens it was a collapse of institutions and a failure of leadership. When the Greek government joined the Euro, there was a great amount of skepticism but those in power assured the people it would benefit them. When the economy collapsed, they were assured again that austerity and the financial help of Northern Europe would be there savior, but again the were left alone in the dark. Every wall of Athens, regardless of the graffiti, tells the same story. It is a story of trust and of loss, which turns to anger and a futile push away from the system until the anger builds so heavy you have to paint it on a wall for everyone to see.
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